Vol. 28 No. 1 (2022)

DOI: https://doi.org/10.28925/2311-259x.2022.1

Published: 28.04.2022

Full Issue

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Practices of text interpretation

Psychology of the artist and creativity in the notes by Lesia Voronyuk and Clarise Lispector

Kateryna Chui

1–6
Abstract views: 354 | PDF Downloads: 368
DOI: https://doi.org/10.28925/2311-259x.2022.1.1
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The Maryna Grymych’s novel “Do you hear, Margo?..” as an artistic representation of author’s scientific discourse

Oksana Pliushchyk

7–13
Abstract views: 319 | PDF Downloads: 266
DOI: https://doi.org/10.28925/2311-259x.2022.1.2
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Emotion concepts for representing the vicissitudes of fate in Markus Zusak’s “Bridge of Clay”

Andrii Bezrukov, Oksana Bohovyk

14–20
Abstract views: 468 | PDF Downloads: 350
DOI: https://doi.org/10.28925/2311-259x.2022.1.3
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Media and virtual reality

The problem of critical thinking during media content consumption in the conditions of an information war

Oleksandr Kurban

21–27
Abstract views: 1013 | PDF Downloads: 842
DOI: https://doi.org/10.28925/2311-259x.2022.1.4
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Citation of sources in information radio programs

Oksana Zhuravska

28–35
Abstract views: 517 | PDF Downloads: 365
DOI: https://doi.org/10.28925/2311-259x.2022.1.5
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Translations and interpretations

The laboratory of translation of Korean narrative into Ukrainian: The Legend of On Dal

Andrii Ryzhkov

36–45
Abstract views: 563 | PDF Downloads: 406
DOI: https://doi.org/10.28925/2311-259x.2022.1.6
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