Vol. 26 No. 3 (2020)

DOI: https://doi.org/10.28925/2311-259x.2020.3

Published: 31.10.2020

Literary history as a structure

Tragic fool of French literature as a topos of identity (from Victor Hugo and Paul Verlaine artistic experience)

Oksana Halchuk

73–83
Abstract views: 465 | PDF Downloads: 451
DOI: https://doi.org/10.28925/2311-259x.2020.3.1
- pdf (Українська)
The narrative of translocation as a way to construe the protagonist's horizon of consciousness (The novel “Boarding House” by S. Zhadan)

Tetiana Meizerska

84–89
Abstract views: 510 | PDF Downloads: 432
DOI: https://doi.org/10.28925/2311-259x.2020.3.2
- pdf (Українська)

Media and virtual reality

Ukrainian prisoners’ of war worldview formation through printed word: national-educational mission of the magazine “Educational Leaflet” at Wetzlar Camp, Germany (1916)

Ihor Sribniak, Viktor Schneider

90–97
Abstract views: 371 | PDF Downloads: 301
DOI: https://doi.org/10.28925/2311-259x.2020.3.3
- pdf (Українська)
Feminism and communism: specifics of interaction in the western Ukrainian media discourse of the 1920s – 1930s

Olha Khamedova

98–107
Abstract views: 597 | PDF Downloads: 357
DOI: https://doi.org/10.28925/2311-259x.2020.3.4
- pdf (Українська)
Typology of metaphors in popular science media discourse (based on National Geographic resources)

Yuriy Velykoroda, Marta Vasylyshyn

108–117
Abstract views: 1291 | PDF Downloads: 1112
DOI: https://doi.org/10.28925/2311-259x.2020.3.5
- pdf (Українська)