DISCOURSE OF AGING IN THE PLAYS AT THE TURN OF THE XX-XXI CENTURIES: SEMANTIC AND POETIC ASPECTS (case studies of the US, British, Polish and Slovak texts)
DOI:
https://doi.org/10.28925/2311-259X.2017(2)77018Keywords:
late adulthood, aging, gerontological markers, “young old”, gerontological group, modern dramaAbstract
The purpose of this article is to define the discourse of aging in the plays of Western civilization at the turn of the 20th and 21st centuries. The aim of the present paper is to demonstrate the urgency of issues of late adulthood in fiction in our time. The methods used in the article are mixed: historical data processing, close reading technique, analyses of interdisciplinary resources (literary gerontology, age studies, age psychology). The author of the paper argues that popular American, British, Polish and Slovak plays about aging have a number of common characteristics. Among them are there the centrality of third age characters in the analyzed dramatic works; intergenerational conflict within the family; heterotopia of the nursing home; representations of the gerontonlogical group; dynamics of aging. The results of the present study prove that the poetic forms of old age in the discussed plays include black humor; thanatological reflections; medical aspects of late adulthood; memories as the implementation of the concept of “life review” and obscene vocabulary. The results can be practical for the classes of US literature and literary gerontology.Downloads
References
REFERENCES (TRANSLITERATED)
Bizjo K. Rydan'ja / Antologija sovremennoj pol'skoj dramaturgii. Perevod s pol'skogo. Predisl. Romana Pavlovskogo. – M.: Novoe literaturnoe obozrenie, 2010. – P. 33–68. (in Russian).
Haidash A.V. The portrait of the old lady in Eric Cobles The Velocity of Autumn / Studia Philologica (Filolohichni studii): zb. nauk. pr. / redkol.: I.R.Buniiatova, L.I.Bieliekhova, O.Ye.Bondareva [ta in.]. – K.: Kyiv. un-t im. B. Hrinchenka, 2016. – Vol. 6. – P. 101–105. (in English).
Gombar D. Tret'ja jera / Antologija sovremennoj slovackoj dramaturgii. Per. so slovackogo. – M.: Novoe literaturnoe obozrenie, 2014. – P. 425–504. (in Russian).
Zagradnik O. Solo dlja chasov s boem / Antologija sovremennoj slovackoj dramaturgii. Per. so slovackogo. – M.: Novoe literaturnoe obozrenie, 2014. – P. 79–136. (in Russian).
Klimachek V. Gipermarket / Antologija sovremennoj slovackoj dramaturgii. Per. so slovackogo. – M.: Novoe literaturnoe obozrenie, 2014. – P. 361 – 424. (in Russian).
Krainikov E.V. Herontolohiia: slovnyk-dovidnyk / Eduard Krainikov. – K.: Palyvoda O.V., 2010. – 352 p. (in Ukrainian).
Pavlovskij R. Kratkaja istorija pol'skoj revoljucii (v dramaturgii) / Roman Pavlovskij // Antologija sovremennoj pol'skoj dramaturgii. – M.: Novoe literaturnoe obozrenie, 2010. – P. 7 –32. (in Russian).
Pruhnevskij M. Ljucina i ejo deti / Antologija sovremennoj pol'skoj dramaturgii. Perevod s pol'skogo. Predisl. Romana Pavlovskogo. – M.: Novoe literaturnoe obozrenie, 2010. – P. 463–508. (in Russian).
Harvud R. Kvartet. Perevod s anglijskogo Romana Marholia / Ronal'd Harvud. – 1999. [Electronic resource]. – Mode of access: http://samlib.ru/m/marholia_r_m/kwartetronalxdharwud.shtml (in Russian).
Sviato R. Novi horyzonty «Zolotykh vorit», abo z MakDonakhom ne rozslabyshsia/ Roksoliana Sviato // KinoTeatr. – Vol. 6. – 2015. [Electronic resource]. – Mode of access: http://www.ktm.ukma.edu.ua/show_content.php?id=1820 (in Ukrainian).
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).